{"id":20789,"date":"2023-05-15T09:24:50","date_gmt":"2023-05-15T08:24:50","guid":{"rendered":"http:\/\/jagodina.museum\/exhibitions\/nadja-milivojevic\/"},"modified":"2023-06-20T13:53:07","modified_gmt":"2023-06-20T11:53:07","slug":"nadja-milivojevic","status":"publish","type":"page","link":"https:\/\/jagodina.museum\/en\/exhibitions\/nadja-milivojevic\/","title":{"rendered":"The Artists of Pomoravlje: Na\u0111a Milivojevi\u0107"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Virtual Gallery of the Regional Museum of Jagodina<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

“(Ap)perception”<\/strong><\/p>

The title of the solo exhibition (Ap)perception, by artist Na\u0111a Milivojevi\u0107, alludes to the interesting relationship and play of two terms that it contains. The first term (perception) refers to perception as a type of process in which an individual from his environment seeks, selects, adopts, processes and interprets various attractions that affect his senses. The second term (apperception) is related to the next stage, ie. through the process of human cognition and understanding of various objects, phenomena and spaces perceived in previous experience with the help of activated senses and thoughts. How are these two processes correlated? What is the position of the human being who lives and works during the mentioned processes? How does he act, how does he perceive and does he react at all? What happens when a person (ap)perceives the self? Is it possible to visually show or evoke the sensory stimuli and activities that an individual experiences?<\/p>

These are just some of the questions that the artist opened with her works of art. Examining potential answers and visual solutions related to the mentioned questions, Na\u0111a Milivojevi\u0107 initially provides an insight into a wide range of diverse stimuli from the environment which, represented as structural layers of one dimension, interact with man. The stimuli presented have a distinct texture, which is often coloristically resolved in the works by juxtaposing warm tones of red, orange and pink with cold tones of blue, navy and grey. The artist often fills the surfaces of defined stimuli with multiplied geometric motifs such as circles, rectangles, rhombuses, crosses, etc. The various textures surrounding the “protagonist” figures are additionally emphasized by the combined technique that the author often uses during creation, which, among other things, includes an approach similar to the zgrafito technique. At the same time, the relief of the surfaces and the contrast of smooth, thin and thick layers of paint were achieved. The undefined characters of the painted figures give the impression that it is about the process of a person merging with the stimuli from his environment, or even completely surrendering to them.<\/p>

Although the figures do not have clearly defined facial features, the artist has precisely painted around the eyes, nose, mouth or ears, i.e. the zones that should mark the sensory organs are “marked” with an identical color that is transmitted through the displayed stimuli. This can be seen in the works Envy, Couple, Perception, Burden, Expectation. In an identical way, the artist implements this idea in the series of portraits called Experiences and Feelings, in which she accentuates the areas of the head around the brain with pink tones, evoking the work of brain cells. The observed leitmotifs in the works of the artist, in a symbolic way, visually portray the essence of (Ap)perception.<\/p>

The observer, by perceiving the works of the author Na\u0111a Milivojevi\u0107, which contain a unique narrative of the mentioned processes, but also by observing and considering the entire concept of the (Ap)perceptions exhibition, becomes part of her main narrative. Parallel to the artist’s actors, the observer becomes the protagonist of his own environment, whose stimuli, in this case the work, become, consciously or unconsciously, the main drivers of the (ap)perception process.<\/p>

Nevena Bogojevi\u0107,
art historian<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

CONTACT:
<\/strong>e\u2013mail:
nadja.milivojevic@fpu.bg.ac.rs<\/a>
nadjamilivojevic1@gmail.com<\/a><\/p>

phone: 065\/207-83-53
Instagram: @nadjolinah<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Na\u0111a Milivojevi\u0107 was born in Jagodina in 1997. She graduated from the High School of Art in Ni\u0161, and in 2019 graduated from the Faculty of Applied Arts in Belgrade, in the department of applied painting, in the class of professor Nikola Bo\u017eovi\u0107 and completed her Master of Academic Studies in 2020 at the Faculty of Applied Arts in Belgrade, at the Department of Applied Painting. She is currently a PhD student at the same faculty, at the Department of Applied Art and Design. Since 2021, she has been working at the Faculty of Applied Arts in Belgrade as a researcher-intern and a teaching assistant in the \u0414epartment of \u0410pplied Painting, within the subject of Painting Techniques.<\/p>

Na\u0111a Milivojevi\u0107 is a member of ULUS and ULUPUDS. She is a scholarship recipient of the Fund for Young Talents of the Ministry of Youth and Sports of the Republic of Serbia and also the recipient of a scholarship for exceptionally gifted students of the Ministry of Education, Science and Technological Development of the Republic of Serbia. She lives and creates in Belgrade.<\/p>

PRIZES:<\/strong><\/p>

  • ULUS The Spring Exhibition Award, \u201cCvijeta Zuzori\u0107\u201d Art pavilion, Belgrade, 2021.<\/li>
  • Prize of the \u0410rt competition “Black Box” within the Mikser festival, Zorni\u0107a House, Belgrade, 2021.<\/li>
  • Special prize for the painting of the Youth Art Salon in Novi Pazar, Gallery MMC, Novi Pazar, 2019.<\/li><\/ul>

    SOLO EXHIBITIONS:<\/strong><\/p>

    • \u201c(Ap)perception\u201d, Cultural Center \u010cukarica, Belgrade, 2022.<\/li>
    • \u201cAbout views\u201d, Art Center of the University Library \u201cSvetozar Markovi\u0107\u201d, Belgrade, 2019.<\/li><\/ul>

      COLLECTIVE EXHIBITIONS (selection):<\/strong><\/p>

      • \u201cThe Transfiguration of Man\u201d, Art salon 30×30, The Museum of Srem, Sremska Mitrovica, 2023.<\/li>
      • Collective exhibition \u201cArt is feminine\u201d, Shopping center \u201cBig Fashion\u201d, Kragujevac, 2023.<\/li>
      • Exhibition of works by newly admitted members of ULUPUDS in 2023, SULUJ Gallery, Belgrade, 2023.<\/li>
      • 17th<\/sup> exhibition of Art salon \u201c30×30\u201d: \u201cTransfiguration of man – Jesus did it, can we do it too?\u201d, Contemporary Art Gallery, Pan\u010devo, 2023.<\/li>
      • 17th<\/sup> Art salon \u201c30×30\u201d, House of \u0110ura Jak\u0161i\u0107, Belgrade, 2023.<\/li>
      • Exhibition of preparatory works of the FPU and FILUM stained glass workshop, part of the accompanying program of the exhibition \u201cOn the Glass Road: Glass Art and Representation in Serbia (1850-1950)\u201d, Museum of Applied Arts, Belgrade, 2022.<\/li>
      • Sales exhibition of ULUS members \u201cEveryone exhibits\u201d, \u201cCvijeta Zuzori\u0107\u201d Art Pavilion, Belgrade, 2022.<\/li>
      • 17th<\/sup> Art salon \u201c30×30\u201d, Cultural Center Zrenjanin, 2022.<\/li>
      • Belgrade Mosaic Festival III, Heritage House, Belgrade, 2022.<\/li>
      • Small Format XVI Mosaic, ULUPUDS Small Gallery, Belgrade, 2021.<\/li>
      • Mosaic exhibition \u201cBeauty of tradition\u201d, Felix Romuliana, Zaje\u010dar, 2021.<\/li>
      • ULUS Spring Exhibition \u201cInvisible Portrait\u201d, \u201cCvijeta Zuzori\u0107\u201d Art Pavilion, Belgrade, 2021.<\/li>
      • Miniature V, ULUPUDS Small Gallery, Belgrade, 2020.<\/li>
      • Biennale of Mosaics IX: \u201cBeauty of Tradition\u201d, Gallery SKC, New Belgrade, 2020.<\/li>
      • Small Format Mosaic XIV, ULUPUDS Small Gallery, Belgrade, 2019.<\/li>
      • “Stone in Architecture and Art”, RTS Gallery, Belgrade, 2019.<\/li>
      • Youth Art Salon, MMC Gallery, Novi Pazar, 2019.<\/li>
      • 11th<\/sup> Exhibition of sculptures and mosaics Stone Colony, Belgrade Fair, 2019.<\/li>
      • “Dev9t” Festival, Club of Heavy Industry Fans, Belgrade, 2018.<\/li><\/ul>

        Participation in international art colonies, workshops and conferences:<\/strong><\/p>

        • 22nd<\/sup> International Multimedia Art Colony Vuk’s Tr\u0161i\u0107, Loznica, 2022.<\/li>
        • 21st<\/sup> International Multimedia Art Colony Vuk’s Tr\u0161i\u0107, Loznica, 2021.<\/li>
        • “Blackbox” art workshop, Mikser festival, Zorni\u0107a house, Belgrade, 2021.<\/li>
        • “SmartArt – Art and science in application: experience and vision”: Second international scientific conference of the Faculty of Applied Arts, presentation of professional author’s work: Mosaic in Yugoslavia: Review of political propaganda in mosaic achievements after 1945; Serbian Academy of Sciences and Arts, Belgrade, 2021.<\/li>
        • Art workshop of Katarina Hinsberg: “Notes on Approaches”, Museum of Contemporary Art, Belgrade, 2019.<\/li>
        • International art colony “Sand\u017eak inspiration of artists”, Novi Pazar, 2019.<\/li>
        • International Art Colony “Kumanovo”, Kumanovo, The Republic of North Macedonia, 2019.<\/li>
        • International Art Colony “\u0110uri\u0161te”, Sveti Nikole, The Republic of North Macedonia, 2018.<\/li><\/ul>

          PERFORMED WORKS:<\/strong><\/p>

          • “Elementum”, in collaboration with Sofija Rakid\u017ei\u0107, installation in public space, Zorni\u0107a House, Belgrade, 2021.<\/li><\/ul>

            PUBLISHED SCIENTIFIC AND PROFESSIONAL WORKS:<\/strong><\/p>

            • Milivojevi\u0107 D. Na\u0111a: “Mosaic in Yugoslavia: Review of political propaganda in mosaic achievements after 1945<\/em>“, Proceedings from the Second International Scientific Conference SmartArt – Art and Science in Application: Experience and Vision, Faculty of Applied Arts, Belgrade, 2022 (ISBN 978- 86-80245-45-4)<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t
              <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
              \n\t\t\t\t\t\t
              \n\t\t\t\t\t
              \n\t\t\t
              \n\t\t\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t
              <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t
              <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t

              VIRTUAL EXHIBITION<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t
              <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tConversation, mixed media on canvas, 140 x 110, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tBurden, mixed media on canvas, 80 x 60, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tExamination, mixed media on canvas, 70 x 60, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPerception, mixed media on canvas, 80 x 60, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tReflection, mixed media on canvas, 100 x 65, 2023.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPersonal feeling I, mixed media on paper, 40 x 30, 2023.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPersonal feeling II, mixed media on paper, 35 x 30, 2023.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPersonal feeling III, mixed media on paper, 40 x 30, 2023.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPersonal feeling IV, mixed media on paper, 40 x 30, 2023.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tExperiences I, mixed media on canvas, 40 x 40, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tExperiences II, mixed media on canvas, 40 x 35, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tExperiences III, mixed media on canvas, 40 x 30, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tExperiences IV, mixed media on canvas, 40 x 35, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tEnvy, mixed media on paper, 100 x 70, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAnticipation, mixed media on paper, 160 x 70, 2022.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
              \n\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t
              <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tCouple, mixed media on triplex, 140 x 100, 2022. \t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

              Virtual Gallery of the Regional Museum of Jagodina “(Ap)perception” The title of the solo exhibition (Ap)perception, by artist Na\u0111a Milivojevi\u0107, alludes to the interesting relationship and play of two terms that it contains. The first term (perception) refers to perception as a type of process…<\/p>\n","protected":false},"author":3,"featured_media":20722,"parent":6377,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20789","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/pages\/20789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/comments?post=20789"}],"version-history":[{"count":0,"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/pages\/20789\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/pages\/6377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/media\/20722"}],"wp:attachment":[{"href":"https:\/\/jagodina.museum\/en\/wp-json\/wp\/v2\/media?parent=20789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}